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The Involuntary Icon

The Involuntary Icon
Susan Sontag, by Lynn Gilbert, 1979.

Susan Sontag hated cultural simplification and intellectual poses. Yet decades after her essays on photography, she has become a veritable Instagram icon: white hair, black turtleneck, apartment filled with books. Her image circulates today as an aesthetic symbol of "intellectual cool," sometimes completely detached from what she actually wrote.

When Susan Sontag becomes famous in the 1960s, she impresses as much by her appearance as by her texts. Essayist, critic, and American intellectual, she writes on photography, cinema, war, illness, or even mass culture. But very quickly, something unusual happens: her image becomes almost as famous as her ideas.

With her black hair crossed by a spectacular white streak, her dark jackets, and her very direct gaze, Sontag possesses an immediately recognizable presence. In an era when intellectuals rarely appear as strong visual figures, she becomes almost a graphic silhouette. The paradox is that Susan Sontag precisely critiques the way images simplify the world. In her famous essay On Photography, she explains that photographing transforms complex events into consumable objects. Images become quick symbols, sometimes disconnected from the reality they represent.

Decades later, the internet does exactly that with her. On Instagram, Pinterest, or Tumblr, photos of Sontag massively circulate in moodboards associating annotated books, cafés, apartments filled with libraries, and "intellectual" aesthetics. Many people recognize her face without ever having read a line of her essays. This transformation is linked to a broader phenomenon: social networks adore culturally recognizable figures visually. Sontag then becomes a kind of aesthetic icon of knowledge. Her image immediately evokes reflection, reading, and a certain intellectual elegance.

What makes the situation fascinating is that she probably would have analyzed this phenomenon with much irony. Part of her work dealt precisely with the way images transform individuals into simplified symbols. Another important detail: unlike many intellectuals of her time, Sontag mastered very well her own public presence. She understood the power of media, photographic portraits, and television. Her very controlled style already participated in building a strong image. Today, Susan Sontag occupies a strange place on the internet: at once immense 20th-century thinker and ultra-shared aesthetic figure. Her face has become a kind of visual shortcut to designate culture, critical thought, and contemporary "intellectual cool."

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